Vol. 8 No. 2 (May 2018) pp. 1-5  THE BRANDING OF THE AMERICAN MIND: HOW UNIVERSITIES CAPTURE, MANAGE, AND MONETIZE INTELLECTUAL PROPERTY AND WHY IT MATTERS, by Jacob Rooksby.Johns Hopkins University Press, 2016. 392 pp., […]

Vol. 8 No. 2 (May 2018) pp. 6-9  ARTISTIC LICENSE: THE PHILOSOPHICAL PROBLEMS OF COPYRIGHT AND APPROPRIATION, by Darren Hudson Hick. University of Chicago Press, 2017. 240 pp., soft cover, $30.00.  ILLEGAL LITERATURE: TOWARD A […]

Vol. 8 No. 2 (May 2018) pp. 10-17  THE LAW AND PRACTICE OF TRADEMARK TRANSACTIONS: A GLOBAL AND LOCAL OUTLOOK, edited by Irene Calboli & Jacques de Werra. Elgar, 2016. 617 pp., Hardcover, $310.00  Reviewed […]

Vol. 8 No. 1 (November 2017) pp. 1-7  AUTHORS IN COURT: SCENES FROM THE THEATER OF COPYRIGHT, by Mark Rose. Harvard University Press, 2016. 219 pp., Hardcover, $29.95.  Reviewed by Robert Spoo The University of Tulsa […]

Vol. 8 No. 1 (November 2017) pp. 8-19  COPYRIGHT BEYOND LAW: REGULATING CREATIVITY IN THE GRAFFITI SUBCULTURE by Marta Iljadica.Hart Publishing, 2016, 328 pp., Hardcover, $94.00  Reviewed by Zahr K. Said University of Washington School of […]

Vol. 8 No. 1 (November 2017) pp. 20-31  CHOREOGRAPHING COPYRIGHT: RACE, GENDER, AND INTELLECTUAL PROPERTY RIGHTS IN AMERICAN DANCE by Anthea Kraut.Oxford University Press, 2016, 305 pp. Hardcover, $105.00; Paperback, $36.95.  Reviewed by Carys Craig Osgoode […]